Growing up in London during the noughties, I was constantly surrounded by suits. You saw them on City financiers rushing through the Square Mile. You could spot them on fathers in Hyde Park, playing with footballs in the golden light. At school, a inexpensive grey suit was our mandatory uniform. Traditionally, the suit has functioned as a costume of gravitas, projecting authority and performance—traits I was told to embrace to become a "man". However, until lately, my generation appeared to wear them infrequently, and they had all but vanished from my mind.
Then came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a private ceremony dressed in a sober black overcoat, pristine white shirt, and a notable silk tie. Propelled by an innovative campaign, he captivated the world's imagination like no other recent mayoral candidate. But whether he was celebrating in a music venue or attending a film premiere, one thing was largely unchanged: he was frequently in a suit. Loosely tailored, modern with soft shoulders, yet traditional, his is a quintessentially middle-class millennial suit—that is, as common as it can be for a cohort that rarely chooses to wear one.
"The suit is in this weird position," says style commentator Derek Guy. "It's been dying a gradual fade since the end of the Second World War," with the significant drop arriving in the 1990s alongside "the rise of business casual."
"Today it is only worn in the most formal settings: marriages, funerals, and sometimes, court appearances," Guy states. "It is like the traditional Japanese robe in Japan," in that it "fundamentally represents a tradition that has long ceded from everyday use." Many politicians "don this attire to say: 'I am a politician, you can have faith in me. You should vote for me. I have authority.'" But while the suit has historically signaled this, today it enacts authority in the hope of gaining public trust. As Guy clarifies: "Since we're also living in a democratic society, politicians want to seem approachable, because they're trying to get your votes." To a large extent, a suit is just a nuanced form of performance, in that it performs manliness, authority and even proximity to power.
Guy's words stayed with me. On the infrequent times I require a suit—for a wedding or formal occasion—I retrieve the one I bought from a Japanese retailer a few years ago. When I first picked it up, it made me feel refined and high-end, but its tailored fit now feels passé. I imagine this feeling will be only too recognizable for many of us in the global community whose parents come from other places, especially developing countries.
Unsurprisingly, the everyday suit has fallen out of fashion. Similar to a pair of jeans, a suit's silhouette goes through trends; a specific cut can thus characterize an era—and feel quickly outdated. Consider the present: looser-fitting suits, reminiscent of Richard Gere's Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a considerable investment for something destined to fall out of fashion within five years. But the appeal, at least in some quarters, persists: in the past year, department stores report suit sales rising more than 20% as customers "shift from the suit being everyday wear towards an appetite to invest in something exceptional."
Mamdani's preferred suit is from Suitsupply, a Dutch label that sells in a mid-market price bracket. "Mamdani is very much a reflection of his upbringing," says Guy. "A relatively young person, he's not poor but not extremely wealthy." Therefore, his mid-level suit will appeal to the group most inclined to support him: people in their thirties and forties, college graduates earning middle-class incomes, often frustrated by the cost of housing. It's precisely the kind of suit they might wear themselves. Not cheap but not lavish, Mamdani's suits plausibly don't contradict his stated policies—which include a capping rents, building affordable homes, and free public buses.
"You could never imagine Donald Trump wearing Suitsupply; he's a Brioni person," says Guy. "As an immensely wealthy and grew up in that property development world. A status symbol fits seamlessly with that tycoon class, just as more accessible brands fit well with Mamdani's constituency."
The legacy of suits in politics is extensive and rich: from a former president's "shocking" beige attire to other national figures and their notably polished, tailored appearance. As one UK leader learned, the suit doesn't just dress the politician; it has the potential to define them.
Perhaps the point is what one scholar refers to the "enactment of ordinariness", summoning the suit's long career as a uniform of political power. Mamdani's particular choice taps into a deliberate modesty, neither shabby nor showy—"respectability politics" in an unobtrusive suit—to help him connect with as many voters as possible. But, some think Mamdani would be aware of the suit's military and colonial legacy: "The suit isn't neutral; historians have long pointed out that its contemporary origins lie in imperial administration." Some also view it as a form of defensive shield: "I think if you're a person of color, you aren't going to get taken as seriously in these white spaces." The suit becomes a way of asserting legitimacy, particularly to those who might question it.
Such sartorial "changing styles" is hardly a recent phenomenon. Indeed historical leaders previously wore formal Western attire during their formative years. These days, certain world leaders have begun exchanging their typical fatigues for a black suit, albeit one without the tie.
"Throughout the fabric of Mamdani's public persona, the struggle between belonging and otherness is apparent."
The attire Mamdani chooses is highly significant. "Being the son of immigrants of South Asian heritage and a democratic socialist, he is under pressure to conform to what many American voters expect as a marker of leadership," notes one expert, while at the same time needing to walk a tightrope by "not looking like an elitist selling out his distinctive roots and values."
Yet there is an sharp awareness of the different rules applied to who wears suits and what is interpreted from it. "That may come in part from Mamdani being a younger leader, skilled to assume different identities to fit the occasion, but it may also be part of his diverse background, where adapting between languages, traditions and clothing styles is typical," commentators note. "Some individuals can go unremarked," but when women and ethnic minorities "seek to gain the power that suits represent," they must carefully navigate the expectations associated with them.
In every seam of Mamdani's official image, the dynamic between somewhere and nowhere, insider and outsider, is visible. I know well the awkwardness of trying to conform to something not built for me, be it an cultural expectation, the society I was born into, or even a suit. What Mamdani's style decisions make clear, however, is that in public life, appearance is not neutral.